Friday 8th January, 2016
9:30-17:30
Edmund J Safra Lecture Theatre, King’s College London – Strand London WC2R 2LS
Places are free, but booking is required here:
https://www.eventbrite.com/e/cinematic-bricoleurs-remixing-restyling-and-repurposing-in-contemporary-filmmaking-practice-tickets-19622339947
This one-day event – delivered as part of the AHRC funded Tracking IP Across the Creative Technologies project (http://arts.brighton.ac.uk/projects/tri-pact) – will explore key contributions to the field of remixing, restyling and repurposing existing audiovisual material (sourced from archives, and both the commercial and public domains) in contemporary filmmaking practice.
Featuring critically and/or politically motivated examples alongside artistic and creative narrative driven experimentations, speakers at the event present and consider these works alongside established film industry practices through the lens of intellectual property.
A panel of creators, academics and IP law specialists from the UK, US and EU will debate the opportunities, challenges and futures of audiovisual content reuse in the context of the currently shifting sands of territory specific intellectual property legislation set against the wider backdrop of the global digital economy.
Confirmed speakers and panelists:
(more to follow, please check https://www.eventbrite.com/e/cinematic-bricoleurs-remixing-restyling-and-repurposing-in-contemporary-filmmaking-practice-tickets-19622339947 for updates)
Richard Misek is a film theorist and montagist. His essay film Rohmer in Paris (2013) has screened at over twenty film festivals on five continents, and at venues including the National Gallery of Art (Washington D.C.), the BFI and Barbican (London), and the Museum of Moving Image and Anthology Film Archives (New York). He is also currently Principal Investigator on the ARHC project, ‘The Audiovisual Essay: a digital methodology for film and media studies’. He lectures in digital arts at the University of Kent.
http://www.rohmerinparis.com
Graham Rawle is an internationally renowned writer and collage artist and lectures in visual communication at the University of Brighton. Graham’s visual work incorporates illustration, design, photography and installation. His weekly ‘Lost Consonants’ first appeared in the weekend Guardian in 1990 and ran for 15 years. He has produced other regular series for the press, while his book Woman’s World has been celebrated world-wide.
Prof. Charlotte Waelde is Professor of Intellectual Property Law. Her focus is on the interface between intellectual property law and changing technologies, the changes in the law wrought by those technologies, and the impact that those changes have on the way that the law is both perceived and used by the affected communities. Prof. Waelde is the IP consultant on the TRI-PACT project.
http://socialsciences.exeter.ac.uk/law/staff/waelde/
Julia Reda has been a Member of the European Parliament representing Germany since 2014. She is Vice-President of the Greens/EFA group and the president of the Young Pirates of Europe. She has declared to make copyright reform her focus for the legislative term.
https://juliareda.eu/en/
Owen Gallagher is a co-editor of the Routledge Companion to Remix Studies (2014) and has published a number of book chapters, journal articles and conference papers on remix culture. In 2007, Owen founded TotalRecut.com, an online social networking community for fans and creators of video remixes, recuts, and mash-ups that facilitates online collaboration between video artists. Total Recut received a ‘Quality Seal’ in the 2008 Europix Multimedia Awards, was shortlisted for a number of awards including the Eircom Spiders, the NICENT 25k Awards and the BBC Innovation Labs.