Shelley Stamp – the 2017 winner of the IAMHIST-MICHAEL NELSON PRIZE FOR A WORK IN MEDIA AND HISTORY

IAMHIST has the pleasure to announce that Shelley Stamp is the winner of the 2017 Michael Nelson Prize. She convinced the jury with Lois Weber in Early Hollywood.

Shelley Stamp is Professor of Film and Digital Media at the University of California, Santa Cruz and author of Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon; co-editor of American Cinema’s Transitional Era: Audiences, Institutions, Practices; and founding editor of Feminist Media Histories: An International Journal.

Among early Hollywood’s most renowned filmmakers, Lois Weber was considered one of the era’s “three great minds” alongside D. W. Griffith and Cecil B. DeMille. Despite her accomplishments, Weber has been marginalized in relation to her contemporaries, who have long been recognized as fathers of American cinema. Drawing on a range of materials untapped by previous historians, Shelley Stamp offers the first comprehensive study of Weber’s remarkable career as director, screenwriter, and actress. Lois Weber in Early Hollywood provides compelling evidence of the extraordinary role that women played in shaping American movie culture.

Weber made films on capital punishment, contraception, poverty, and addiction, establishing cinema’s power to engage topical issues for popular audiences. Her work grappled with the profound changes in women’s lives that unsettled Americans at the beginning of the twentieth century, and her later films include sharp critiques of heterosexual marriage and consumer capitalism. Mentor to many women in the industry, Weber demanded a place at the table in early professional guilds, decrying the limited roles available for women on-screen and in the 1920s protesting the growing climate of hostility toward female directors. Stamp demonstrates how female filmmakers who had played a part in early Hollywood’s bid for respectability were in the end written out of that industry’s history. Lois Weber in Early Hollywood is an essential addition to histories of silent cinema, early filmmaking in Los Angeles, and women’s contributions to American culture.

You can view Shelley’s piece on Lois Weber’s Shoes (1916) published in the IAMHIST Blog here.

Kinospaziergänge zwischen Frankreich und Deutschland – walking cinemas between France and Germany

with the participation of IMAHIST member and former IAMHIST council member Rainer Rother, next week on ARTE:

http://www.arte.tv/guide/de/search?q=cinekino&referer=tvguide&zone=de-fr

Die zweiteilige Dokumentation erzählt die Liebesgeschichte zwischen dem deutschen und französischen Kino: Begleitet von zahlreichen Filmausschnitten spaziert sie durch 100 Jahre bewegende Filmgeschichte zwischen Deutschland und Frankreich. Der erste Kinospaziergang beginnt in Frankreich, wo Romy Schneider sich in Paris verliebt und – in Alain Delon.

IAMHIST 2016-2017 announcements

Capture d’e?cran 2015-02-25 a? 21.51.19

IAMHIST-Challenge 2016 for early career researchers and professionals, deadline: September 15, 2016.2016

30 June 2016 – 3 July 2016: The 2016 – Early Audiovisual Theory Conference in Leipzig /A hundred years of Film theory Münsterberg and beyond: Concepts, Applications, Perspectives

Just published: Special issue of the HJFRT out now: Early Film Theory Revisited: Historical Perspectives (ed. by T. Hochscherf and K. Niemeyer)

2017

10-13 July 2017 (CFP coming soon) – save the date

Biennial Conference in Paris (University Paris 2, CARISM)

 

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