For more than sixty years the completion bond company Film Finances has been a vital presence in the British film industry, guaranteeing many of the most important titles in cinema history including The African Queen, Zulu, The Servant, and Don’t Look Now. The company now intends to offer a public viewing of select documents from its archive relating to films from the period 1950 to 1980.
The Screen Studies Group invites all Post Graduate Students to the Post Graduate Training Day 27 October Beveridge Hall, Senate House South Block on the topic: ‘Starting with the Senses’ The programme is available for download or web viewing here: SSG PG Training Day_2012_programme poster.
Reminder: Revisiting Star Studies: call for papers
The Research Centre in Film & Digital Media at Newcastle University, UK, will host an international conference, Revisiting Star Studies, on June 12-14, 2013.
Keynote speakers: Dr Stephanie Dennison (University of Leeds), Dr Neepa Majumdar (University of Pittsburgh), Prof Yingjin Zhang (University of California-San Diego).
Dr Martin Shingler (University of Sunderland), co-editor of the recently-launched BFI Film Stars series, will also host a panel on this new project.
Since its inception in the pioneering works of Edgar Morin (Les Stars, 1957) and Richard Dyer (Stars, 1979), studies of film stardom have been strongly associated with Hollywood structures. There have also been numerous valuable contributions to our understanding of stardom in different national cinemas, including recent work by colleagues here at Newcastle. However in all these efforts to explore stardom in a national context, not only does Hollywood often remain the ultimate reference, but Hollywood-generated paradigms often dominate the discussion of non-Hollywood stardom. Many fundamental assumptions in star studies based mainly on Hollywood stars and stardom (such as stars as phenomena of production and consumption, the onscreen and off-screen construction of star personas, and the inter-transferability between stars’ economic power and cultural power) remain unchallenged.
This conference aims to reassess some of the dominant models in star studies, and generate new critical paradigms that are more appropriate to address non-Hollywood stardom. We also wish to identify under-researched areas in film stardom. Special attention will be given to the analysis of how stars/stardom function–and have functioned–in visual cultures outside Hollywood, such as those in Africa, Asia, Latin America and Europe. However, any papers or panels on the theme of revisiting star studies are welcome. Possible topics include, but are not limited to: