IAMHIST Council

IAMHIST is managed by the Council, as duly elected representatives of the membership. The council meets once or twice a year to discuss upcoming conferences, events and initiatives. Every two years, an election of council members will be organised among the members. The current council is presided by Leen Engelen.

Members:

Ciara ChambersLlewella ChapmanLeen Engelen | Martha Evans | Tobias Hochscherf | Richard Legay | Alessandra Luciano | Jamie Medhurst | Cynthia J MillerKatharina Niemeyer | Rebecca Ohene-Asah | Roel Vande Winkel

| Former IAMHIST presidents |


Ciara Chambers is Head of the Department of Film and Screen Media, University College Cork. She is author of Ireland in the Newsreels (Irish Academic Press, 2012), co-editor of Researching Newsreels: Local, National and Transnational Case Studies (Palgrave, 2018) and screenwriter and associate producer of the BAI-funded six-part television series Éire na Nuachtscannán (TG4). She is a member of the editorial team of Estudios Irlandeses and the consultative board of Alphaville: Journal of Film and Screen Media. She is currently working on the IRC/AHRC-funded Make Film History project, in partnership with Kingston University, BBC, The Irish Film Institute, The British Film Institute and Northern Ireland Screen. The project won the 2021 FIAT/IFTA award for Excellence in Unlocking the Value and Potential of Archives. Her research interests include newsreels, amateur film, archives, screen education and creative reuse.


Llewella Chapman took her BA (Hons) in Performance Design and Production, specializing in costume design, at the University of Leeds, her MA in Adaptation by Independent Study at De Montfort University and her PhD in Film and Media at the University of East Anglia. Her PhD thesis researched the relationship between film, television and Hampton Court Palace (1911-2016), where she used to work as a State Apartment Warder. Llewella is currently a Visiting Scholar in the School of History at the University of East Anglia. Her research interests include film history, British cinema, gender, costume and video games. Her first monograph, Fashioning James Bond: Costume, Gender and Identity in the World of 007, was published by Bloomsbury in 2022. Llewella is also the author of a BFI Film Classic on From Russia With Love (Bloomsbury, 2022), and is contracted to write her next monograph, Costume and British Cinema: Labour, Agency and Creativity, 1900-1985 (Bloomsbury, 2026). Llewella is the Book Reviews Editor for Archives (Liverpool University Press) and is currently the IAMHIST Blog editor, and the webmistress/online community manager for the IAMHIST website.


Leen Engelen is a Belgian film a media historian. She is teaches in the Erasmus Mundus Master Programs Doc Nomads and FilmMemory at LUCA School of Arts in Brussels. She is also Affiliated Professor in the Arts at the Faculty of Arts of KU Leuven University. Her research focusses on media heritage and archives, the history of Belgian cinema, media archaeology, 19th century visual media and cultures of spectacle. She has a special interest in the First World War era and in the digitization and decolonization of media archives and heritage. Leen has published in a variety of national and international academic journals and is (co-)editor of several books. She also curated a number of exhibitions.  She is co-coordinator ‘Congo VR’, a FILM EU RIT research project on the colonial media and digital heritage. Leen is currently President of the International Association for Media and History.

Leen’s publications


Martha Evans is an Associate Professor and a media scholar based at the Centre for Film and Media Studies at the University of Cape Town, South Africa, and most of her work revolves around the role of the media during the apartheid and early post-apartheid eras. Her research interests include media in totalitarian societies, censorship, the media and transitional justice, media events and representations of history in film. She has published in several journals, including Media, Culture & SocietyJournal of Southern African StudiesNational Identities, and Black Camera. She is the author of two books: Broadcasting the End of Apartheid: Live Television and the Birth of a New South Africa and Speeches that Shaped South Africa: From Malan to Malema. Dr Evans serves as an associate editor for the Journal of African Journalism Studies as well as on the editorial board of the newly launched Journal of Media and Rights.


Tobias Hochscherf is Professor of Audiovisual Media at the University of Applied Sciences Kiel in Germany and the University of Flensburg. He studied German, English and Media at the universities in Hamburg and Kiel and received a PhD from the University of Liverpool (UK). From 2006 to 2009 he worked as senior lecturer in film and television studies at Northumbria University (UK). Owing to a background in broadcast journalism and filmmaking, he is editor-in-chief of the student radio station at Kiel University of Applied Sciences (KUAS). He teaches a variety of undergraduate (BA) and postgraduate (MA) modules on media, film and television – including courses on film and television history, media theory, radio broadcasting and film production. He is Fellow of the Higher Education Academy (UK) and Vice President of KUAS. Tobias Hochscherf’s research focuses on film and television history as well as contemporary television drama; he has co-written the book Beyond the Bridge: Contemporary Danish Television Drama (2017). He is also author of The Continental Connection: German-speaking Émigrés and British Cinema, 1927-45 (2011) and co-editor of Divided, but not disconnected: German experiences of the Cold War (2010) and British Science Fiction Film and Television: Critical Essays (2011). He is associate editor of the Journal of Popular Television and the Journal of Scandinavian Cinema.


Richard Legay  is a senior researcher at the Arnold-Bergstraesser-Institut in Freiburg, Germany. He previously taught Public History at the University of Tübingen, in Germany, and holds a PhD in radio history and popular culture from the University of Luxembourg. His current research focuses on the construction of narratives through media and the restitution of cultural heritage. Previously, he worked on the transnational history of Radio Luxembourg and Europe n°1 in the 1960s. He studied at Trinity College Dublin and the Université de Lorraine, and was a visiting researcher in Bournemouth and Hamburg. His research interests include radio, the restitution of cultural heritage, popular culture, transnational history, and cross-media studies.


Alessandra Luciano received her master’s at Columbia University in film studies, and later enrolled in the master’s program Preservation and Presentation of the Moving Image at the University of Amsterdam. In 2013, she started working as head of the film and television archives at the Centre national de l’audiovisuel (CNA) in Luxembourg. Then in 2019, she became Digital Curator, where her priority has been the implementation of long-term preservation and access strategies to ensure a sustainable legacy to the country’s audiovisual heritage. Recently, she has been promoted to spearhead the institution’s growth toward a more organizational and digitally mature enterprise. Since leaving academia, she has been able to combine theory with practice, across a spectrum of diverse interests and fields. Alessandra is on the organising committee of the international conference No Time To Wait, works as copy-editor for the international peer-reviewed academic journal Cinéma&Cie, joined the EUscreen Foundation board last year, and has recently been invited to join the Editorial Board of the Europeana Subtitled project.


Jamie Medhurst is Professor of Film and Media at Aberystwyth University where he is also Co-Director of the Centre for Media History. He is author of A History of Independent Television in Wales (2010), and The Early Years of Television and the BBC (2022) and co-editor of Broadcasting in the UK and US in the 1950s: historical perspectives (2016). Jamie is currently writing on broadcasting politics in Wales in the 1970s and is in the early stages of a project on ‘Screening the Brave New World: post-war television in Britain’. He has published a number of articles and book chapters on broadcasting history and was curator of the ‘Entertaining the UK’ section of the ‘100 Voices of the BBC’ research project. He is editor-in-chief of the journal Media History, a member of the Media Studies Commission of FIAT/IFTA (the International Federation of Television Archives), and Chair of the Academic Advisory Group of the Wales Broadcast Archive.


Cynthia J. Miller is a cultural anthropologist, specializing in popular culture and visual media, and her writing has appeared in a wide range of journals and anthologies across the disciplines. She is senior faculty in the Marlboro Institute for Liberal Arts at Emerson College in Boston, and has been named a Kansas Humanities Council Scholar, a Research Fellow of the Will Rogers Memorial, and Fellow of the Boston Historical Society. Her awards include the 2012 Jim Welsh Prize for Achievement in Adaptation Studies and the 2013 Peter C. Rollins Book Award in Popular Culture Studies. Cynthia has also produced several visual media exhibitions, including “Images from the Streets: The Homeless Photography Project” and “Underground Art: Art and Poetry by Boston’s Homeless,” which have been featured on ABC’s “Chronicle.”  Cynthia serves as series editor for the Rowman & Littlefield Publishing Group’s Film and History series and is on the editorial boards of the Journal of Popular Culture, the Journal of Popular Television, and the Bloomsbury Press Guides to Contemporary Directors series. She is also the editor of twenty-one scholarly volumes focused on the interplay of film and society, as well as two forthcoming volumes and over 70 articles.

Cynthia’s Publications


Katharina Niemeyer is a media theorist, professor at the School of Media (Faculty of Communication) at the Université du Québec à Montréal, director of CELAT-UQAM (Centre de recherche Cultures-Arts-Sociétés), co-responsible of the research-creation mXlab and co-curator of the TOTAL SCREEN exhibition. Her current research and research-creation projects embrace the questions of (creational) solastalgia, loss and media (archives). Trained in cultural sciences, media archaeology and media philosophy at the Bauhaus-Universität Weimar (Germany), as well as in communication sciences at the University of Lyon (France) and at the University of Geneva (Switzerland), her research focuses on the relationships between media and (digital) technologies, temporalities, memory, and history. She co-edited the book Nostalgies contemporaines : médias, cultures et technologies, published in 2021 by Presses universitaires du Septentrion. She is a member of the editorial board of the journals MAST (Media Art Study and Theory) and Memory, Mind & Media (Cambridge University Press). Katharina Niemeyer is also co-founder of the International Media and Nostalgia Network and organized two IAMHIST conferences (Paris 2017 and Montreal, 2023).


Rebecca Ohene-Asah has more than two decades experience in audio-visual media training, practice and research in global film and television. Her interests began as an undergraduate in Ghana and continued when she earned an MFA in Documentary Film Studies and Production from Hofstra University (under a Fulbright fellowship) and a PhD from University of Ghana-Legon where she examined the relationships between colonial film histories and contemporary film practices in Ghana. She continued this inquiry during a post-doctoral fellowship with the African Humanities Program (A fellowship under the American Council of Learned Societies grants). Rebecca applies her knowledge as the lead researcher for Ghana’s Analogue Video Film Digitization, Archiving and Repository Project (Imagining Futures through Un/Archived Pasts), as committee member of Ghana Cultural Forum, and when serving on the National Film Authority and Creative Arts legislative committees. Currently the Acting Dean of Studies at the Institute for Film and Television of the University of Media Arts and Communication (formally NAFTI), she also teaches African film histories and documentary filmmaking. Her current research interests are focused on African audio-visual histories, archiving, and their restitution within current heritage discourse. Rebecca is passionate about emerging trends in documentary film studies, archive and museum practices in Ghana and beyond.


Roel Vande Winkel is associate professor at the University of Leuven (KU Leuven – Institute for Media Studies) and, at LUCA School of Arts, course director of Film Memory, the Erasmus Mundus Joint Master of Arts in European Film Heritage, History and Cultures. He is a longstanding member of the IAMHIST Council and co-editor of the Historical Journal of Film, Radio and Television. His work was published in international academic journals such as JavnostCommunications: the European journal of communication researchCritical Studies in Media CommunicationHistorical Journal of Film, Radio and TelevisionFilmblattHistorical ReflectionsJournal of Film PreservationFilm International and Journal of Scandinavian Cinema. He edited the volumes Cinema and the Swastika (with David Welch), Perspectives on European Film and History (with Leen Engelen), Silencing Cinema: Film Censorship around the World (with Daniel Biltereyst) and Researching Newsreels Local, National and Transnational Case Studies (with Ciara Chambers and Mats Jönsson). He also published various monographs in Dutch. A long term project is a monograph on Belgian cinema (the Belgian Film Guild – la Gilde du Film or Filmgilde) under the Nazi occupation (1940-1944). In 2018, he developed, with Leen Engelen, the Cine Zoologie programming database. Research interests: the German and the European film industry in 1933-1945, newsreels, media and propaganda, historical films, the development of the Belgian film industry and Roman-Catholic engagements with audio-visual media.

Roel’s publications


Former IAMHIST Presidents

David Culbert was John L. Loos Professor of History, Louisiana State University, Baton Rouge, USA;  formerly, Assistant Professor of History at Yale.  He received his B.A and his B.Mus. from Oberlin College. He was a former IAMHIST president, and emeritus editor of the Historical Journal of Film, Radio and Television.  He has published many books, including News for Everyman (Greenwood, 1976); Mission to Moscow (U. of Wisconsin, 1980); Film and Propaganda in America (5 vols., Greenwood, 1990-1993); with John Chambers, World War II, Film, and History (Oxford, 1996); with Nicholas Cull and David Welch, Propaganda and Mass Persuasion (ABC-Clio, 2003); and translator (plus foreword) of Leni Riefenstahl’s Behind  the Scenes of the National Party Convention Film (IHF, 2010).  He was a Fellow at the Wilson Center, Washington, DC; the National Humanities Institute, Yale; a Kellogg National Fellow; and a Visiting Fellow, Institute for Advanced Study, Princeton. He was elected to Phi Beta Kappa, and is listed in Who’s Who in the World.  He served as a consultant for many television documentaries,  Director of Historical Research for Ken Burns’s Huey Long, and   consultant for Ray Mueller’s Leni Riefenstahl film. He received three TAF Outstanding Teaching Awards from LSU’s Honors. David’s obituary can be viewed here: http://iamhist.net/2017/05/missed-david-h-culbert-1943-2017/ 


Nicholas J. Cull is Professor of Public Diplomacy and Director of the Masters Program in Public Diplomacy at USC and former President of IAMHIST. He took both his BA and PhD at the University of Leeds. While a graduate student he studied at Princeton in the USA as a Harkness Fellow of the Commonwealth Fund of New York. From 1992 to 1997 he was lecturer in American History at the University of Birmingham. From September 1997 to August 2005 he was Professor of American Studies and Director of the Centre for American Studies in the Department of History at Leicester. His research and teaching interests are broad and inter-disciplinary, and focus on the the role of culture, information, news and propaganda in foreign policy. He is the author of The Decline and Fall of the United States Information Agency: American Public Diplomacy, 1989-2001 (Palgrave, 2012).  His previous monographs were The Cold War and the United States Information Agency: American Propaganda and Public Diplomacy, 1945-1989 (Cambridge, 2008) and Selling War (Oxford,1995), both of which were named by Choice Magazine as outstanding academic texts of their respective year. He is the co-editor (with David Culbert and David Welch) of Propaganda and Mass Persuasion: A Historical Encyclopedia, 1500-present (ABC-Clio, 2003) which was one of Booklist magazine’s reference books of the year, and co-editor with David Carrasco of Alambrista and the U.S.-Mexico Border: Film, Music, and Stories of Undocumented Immigrants (University of New Mexico Press, 2004). He has published numerous articles on the theme of propaganda and media history. He is an active film historian who has been part of the movement to include film and other media within the mainstream of historical sources. His film work includes two works co-authored with James Chapman: Projecting Empire: Imperialism and Popular Cinema (I. B. Tauris, 2009) and Projecting Tomorrow: Science Fiction and Popular Cinema (I. B. Tauris, 2013). He is a member of the Public Diplomacy Council and has worked closely with the British Council’s Counterpoint Think Tank.


David Ellwood was formerly associate professor of contemporary international history at the University of Bologna (until November 2012); has served as president of the International Association for Media and History (1996-2002); Ph.D., Italian studies, University of Reading. He was also President of IAMHIST.

Publications
The Shock of America: Europe and the Challenge of the Century (Oxford University Press, 2012) (Italian edition, Carocci Editore, 2012) (second edition 2016); The Movies as History: Visions of the 20th Century, editor (Sutton Publishing Ltd., 2000); Hollywood in Europe: experiences of a cultural hegemony (VU University Press, 1994); Rebuilding Europe: The U.S. and the Reconstruction of Western Europe (Pearson Longman Publishing, 1992) (Italian edition, Il Mulino 1996); Hollywood in Europa: industria, politica, pubblico del cinema 1945-1960¸ with G. Brunetta (Casa Usher, 1991); Italy 1943-45: The Politics of Liberation (Leicester University Press, 1985). Frequent contributor of articles and reviews to academic journals, policy forums and news outlets.


Karsten Fledelius is an Associate Professor in Film and Media Studies at The Department of Media, Cognition and Communication, University of Copenhagen. His research focuses upon Central and East European film culture, Media as part of conflicts in Former Yugoslavia, Eastern and Central European responses to the EU and Europeanisation, Religion and European culture and politics, with particular reference to the Balkans, Turkey, Russia, the Ukraine and the Caucausus region, Islam and Europe with particular reference to the question of secularisation, democracy and culture, Legacies of empire in contemporary Europe (Ottoman Turkey, Austria-Hungary). Karsten was the first IAMHIST Secretary General from 1977 to 1979 and served as IAMHIST President from 1979 to 1985. He served on the council as a past-president.

Karsten’s publications


Christine Whittaker, a former IAMHIST President, graduated from the University of Leeds with a degree in Modern Languages and joined the BBC’s World Service.  After a year she moved to television where she became a researcher on documentary films, eventually finding people and archive footage for historical documentaries.  The archive took over, she began to specialise and was responsible for the archive on many award-winning series, such as All Our Working Lives, Out of the Doll’s House, An Ocean Apart, Nippon, Pandora’s Box.   She was the Archive Producer on the 26-part series People’s Century, worked as an Archive Consultant on numerous projects for television and cinema, and has lectured and conducted workshops on the use of archive.  She was twice the recipient of the BFI’s Archival Achievement Award and received Focal International’s Lifetime Achievement Award in 2006.  She was the first IAMHIST President to come from a television, rather than an academic background and continues to encourage and enjoy debate within the organisation. Christine’s obituary can be viewed here: http://iamhist.net/2017/08/christine-whittaker-1942-2017/

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